Performance program lists
Works in alphabetical order
CORO AUSTRAL
Águas de março
— Antônio Carlos Jobím
Arranger – Joaquín Dávila
Dos Canciones Sefardíes
• Malato esta el hijo del rey
• El Rey que muncho madruga
— Joaquín Rodrigo
Jubilate Deo
— Joseph Twist
Versa Est in Luctum
— Tomas Luis de Victoria
Wombats
— Rod Lander
Lyrics – Rod Lander
Ya rab al salaam/
Shalom Aleichem
— Paul Stanhope
Lyrics – Trad. Arabic/Hebrew
ORFEÃO DE LEIRIA
Works TBA
ORFEÃO DE LEIRIA & CORO AUSTRAL
Canção da vindima
— Trad. da Beira Baixa
Arranger – Fernando Lopes-Graça
O milho da nossa terra
— Trad. da Beira Baixa
Arranger – Fernando Lopes-Graça
Wollemi Pine
— Sonia Bennett
Arranger – Tom Bridges
Lyrics – Denis Kevans & Sonia Bennett
Works in alphabetical order
CORO AUSTRAL
Águas de março
(Waters of March)
It’s stick, it’s stone, it’s the end of the road
It’s a bit of stump, it’s a little alone
It’s a shard of glass, it’s life, it’s the Sun
It’s the night, it’s the death, it’s the noose, it’s the hooked-Moon
It’s smart big field, it’s the knot who started the wood
Dirty, fire lit mood, it’s the Matinta Pereira
It’s windblown wood, tumbling down the trail
It’s a deep mystery, whether you wish or wail
It’s the wind winding, it’s the end of the stair
It’s the beam, it’s the span, feast at rooftop’s fair
It’s the rain raining, it’s the riverbank’s chatter
Of the march’s waters, it’s the end of the matter
It’s the foot, it’s the ground, it’s my steady pace
Birdie in the hand, sling’s resting place
It’s a flier in the sky, it’s a flier on the ground
It’s a brook, it’s a spring, it’s a piece of bread found
It’s the bottom of the well, it’s the end of the road
On the face, the disgrace, it’s a little alone
It’s a streak, it’s a nail, it’s a tip, it’s a spot
It’s a drop dropping, it’s a bill, it’s a plot
It’s a fish, it’s a gesture, it’s silver gleaming so bright
It’s the morning light, it’s the brick coming into sight
It’s the firewood, it’s the day, it’s the end of the line
It’s the jug of cane, the shard on the incline
It’s the house project, it’s the body in bed
It’s the stalled car, it’s the mud, it’s the mud
It’s a step, it’s a bridge, it’s a toad, it’s a frog
It’s a patch of brush, in the morning’s soft fog
It’s the March waters closing out the summer’s span
It’s the promise of life in your heart’s plan
It’s a snake, it’s a stick, it’s John, it’s Joseph
It’s a thorn in the hand, it’s a cut’s cleft
It’s the March waters …..
It’s stick, it’s stone, it’s the end of the road
It’s a bit of stump, it’s a little alone
It’s a step, it’s a bridge, it’s a toad, it’s a frog
It’s a beautiful horizon, it’s a feverish slog
It’s the March waters …..
Pau, edra, im, inho, esto, oco, ouco, inho, aco
Idro, ida, ol, oite, orte, aço, zol
It’s the March waters …..
Jubilate Deo
(Rejoice in the Lord)
Rejoice in the Lord, all the earth;
Serve the Lord with gladness.
Come into his presence
With rejoicing,
for the Lord himself is God.
Versa Est in Luctum
(My harp is tuned to grieving)
My harp is tuned to grieving
and my flute to the voice of those who weep.
Spare me, O Lord,
for my days are as nothing.
— Job 30:31, 7:16
Wombats
Wombats live underground.
We walk above and never find out
What they are up to down there.
Wombats can’t see very well
But they’re not going anywhere
Night and day they mostly stay inside their lair.
Wombat hoarders repel all borders
Underground they make no sound
But in the open air they let you know they’re there
Take care nose hair.
Wombats move slowly, they never strain
They gather all they need and never complain.
Don’t work to hard, that’s a fool’s game
Take life so easy, always breezy
Then we’ll make Australia great again.
Wombats live underground
We know that they don’t give a damn
What we are up to up here.
Ya rab al salaam/
Shalom Aleichem
(O Lord of Peace /
Peace be upon you)
Lamentation (Hebrew)
Peace be to you, O ministering angels,
messengers of the Most High, Majesty of majesties,
Holy One of Blessing.
Enter in peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
Bless me with peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
Depart in peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
— Translation: Judy Campbell
O Lord of peace, shower us with peace;
O Lord of peace, fill our hearts with peace.
— Translation: Ayse Goknur Shanal
Lamentation (Hebrew & Greek)
Performance program lists
Works in alphabetical order
Águas de março
— Antônio Carlos Jobím
Arranger – Joaquín Dávila
Ave Maria
— Javier Busto
Balada de la Luna, Luna
— Modesta Bor
Lyrics – Federico García Lorca
Besame Mucho
— Consuelito Velásquez
Arranger – José Galván
Dos Canciones Sefardíes
• Malato esta el hijo del rey
• El Rey que muncho madruga
— Joaquín Rodrigo
Dulce embeleso
— Miguel Matamoros
Arranger – Electo Silva
El cant dels ocells
— Trad. Catalán
Arrangers – Josep Ollé I Sabaté
Jubilate Deo
— Joseph Twist
Los cien enamorados
— David Basden
Lyrics – Federico García Lorca
Pater Noster
— David Basden
The Way Old Friends Do
— Benny Andersson & Bjorn Ulvaeus
Arranger – Alma Mary McFarland
Versa Est in Luctum
— Tomas Luis de Victoria
Wollemi Pine
— Sonia Bennett
Arranger – Tom Bridges
Lyrics – Denis Kevans & Sonia Bennett
Wombats
— Rod Lander
Lyrics – Rod Lander
Ya rab al salaam/
Shalom Aleichem
— Paul Stanhope
Lyrics – Trad. Arabic/Hebrew
Works in alphabetical order
CORO AUSTRAL
Águas de março
(Waters of March)
It’s stick, it’s stone, it’s the end of the road
It’s a bit of stump, it’s a little alone
It’s a shard of glass, it’s life, it’s the Sun
It’s the night, it’s the death, it’s the noose, it’s the hooked-Moon
It’s smart big field, it’s the knot who started the wood
Dirty, fire lit mood, it’s the Matinta Pereira
It’s windblown wood, tumbling down the trail
It’s a deep mystery, whether you wish or wail
It’s the wind winding, it’s the end of the stair
It’s the beam, it’s the span, feast at rooftop’s fair
It’s the rain raining, it’s the riverbank’s chatter
Of the march’s waters, it’s the end of the matter
It’s the foot, it’s the ground, it’s my steady pace
Birdie in the hand, sling’s resting place
It’s a flier in the sky, it’s a flier on the ground
It’s a brook, it’s a spring, it’s a piece of bread found
It’s the bottom of the well, it’s the end of the road
On the face, the disgrace, it’s a little alone
It’s a streak, it’s a nail, it’s a tip, it’s a spot
It’s a drop dropping, it’s a bill, it’s a plot
It’s a fish, it’s a gesture, it’s silver gleaming so bright
It’s the morning light, it’s the brick coming into sight
It’s the firewood, it’s the day, it’s the end of the line
It’s the jug of cane, the shard on the incline
It’s the house project, it’s the body in bed
It’s the stalled car, it’s the mud, it’s the mud
It’s a step, it’s a bridge, it’s a toad, it’s a frog
It’s a patch of brush, in the morning’s soft fog
It’s the March waters closing out the summer’s span
It’s the promise of life in your heart’s plan
It’s a snake, it’s a stick, it’s John, it’s Joseph
It’s a thorn in the hand, it’s a cut’s cleft
It’s the March waters …..
It’s stick, it’s stone, it’s the end of the road
It’s a bit of stump, it’s a little alone
It’s a step, it’s a bridge, it’s a toad, it’s a frog
It’s a beautiful horizon, it’s a feverish slog
It’s the March waters …..
Pau, edra, im, inho, esto, oco, ouco, inho, aco
Idro, ida, ol, oite, orte, aço, zol
It’s the March waters …..
Ave Maria
(Hail Mary)
Hail Mary, full of grace, the Lord is with thee.
Blessed art thou among women,
and blessed is the fruit of thy womb,
Jesus. Holy Mary, Mother of God,
pray for us sinners, now
and at the hour of our death.
Amen.
Balada de la Luna, Luna
(Ballad of the Moon, Moon)
The moon came to the forge
wearing a bustle of nards (aromatic flower).
The boy looks and looks.
The boy is looking hard.
The rider was drawing closer
beating the drum of the plain.
In the forge the child
has his eyes shut tight.
Bronze and dream, the gypsies
cross the olive grove.
Their heads held high,
their eyes half open.
In the forge the gypsies
Wept and cried aloud
The wind is watching, watching.
The wind watched all night long.
— Excerpt Romance de la luna, luna, Translated by Will Kirkland & Christopher Maurer Adapted by Margot McLaughlin
Besame Mucho
(Kiss Me With Passion)
Kiss me now, kiss me with passion
kiss me as if this were to be our very last night.
Kiss me now, kiss me with passion
Fearing tomorrow I’ll lose you past dawn’s early light.
I want to hold you so closely,
look into your eyes to find
you mirroring me.
I’m sure dawn will find me lonely
cast away so far behind
where you then will be.
Kiss me now, kiss me with passion
kiss me as if this were to be our very last night.
Kiss me now, kiss me with passion
Fearing tomorrow I’ll lose you past dawn’s early light.
Dulce embeleso
(Sweet Fascination/Enchantment)
The kiss from your tempting mouth
That you gave me, drunk with illusion,
I keep it like an inspiring flame
In the depths of my poor heart.
It seems as though I still feel that same kiss
Echoing in my moments of reverie,
And the memory of that sweet enchantment
Today fills my life with regret.
El cant dels ocells
(Song of the Birds)
Seeing the rise of the brightest light,
in the most elated night:
The birds, singing, go to celebrate,
with delicate voices.
The linnet was singing: Oh! How beautiful
and lovely is the child of Mary!
And the merry thrush replies:
Death is defeated; my life is born.
Jubilate Deo
(Rejoice in the Lord)
Rejoice in the Lord, all the earth;
Serve the Lord with gladness.
Come into his presence
With rejoicing,
for the Lord himself is God.
Los cien enamorados
(De Profundis)
The one hundred lovers
sleep forever
under the dry earth.
Andalucía has
long red roads.
Córdoba, green olive trees
where a hundred crosses
will help remember them.
The one hundred lovers
sleep forever.
— Translation – Robert Nasatir
Pater Noster
(Our Father)
Our Father, who art in heaven,
hallowed be Thy name.
Thy kingdom come.
Thy will be done, on earth as it is in heaven.
Give us this day our daily bread,
and forgive us our trespasses,
as we forgive those who trespass against us.
And lead us not into temptation,
but deliver us from evil.
For yours is the kingdom, and the power
and the glory, for ever.
Amen.
The Way Old Friends Do
You and I can share the silence,
Finding comfort together the way old friends do.
And after fights and words of violence,
We make up with each other the way old friends do.
Times of joy and times of sorrow.
We will always see it through
And I don’t care what comes tomorrow.
We can face it together the way old friends do.
Versa Est in Luctum
(My harp is tuned to grieving)
My harp is tuned to grieving
and my flute to the voice of those who weep.
Spare me, O Lord,
for my days are as nothing.
— Job 30:31, 7:16
The Wollemi Pine
There’s a tree that’s so rare
Grows deep in the gorges out there
Deep in my heart I will sing of the Wollemi pine.
No preaching words, no angry tones,
The Wollemi stands all alone
One hundred million years of passing time.
Oh Wollemi, Wollemi, Wollemi
Look around you
Keep your eyes open,
or look about you
The trees in the Wollemi band
Come from Gondwana Land
Where the orphan lands of the south were all in one.
She’s the mother of my song:
Gondwana you are strong
Here before the dreaming of the dream had yet begun.
Oh Wollemi, Wollemi, Wollemi …
The only clue to your tale
Were some leaf prints in the shale
And we thought you’d come and gone long years ago.
Suddenly what do I see?
But a living tree,
Where the mountain waters pure and sweet do flow.
Oh Wollemi, Wollemi, Wollemi
Wombats
Wombats live underground.
We walk above and never find out
What they are up to down there.
Wombats can’t see very well
But they’re not going anywhere
Night and day they mostly stay inside their lair.
Wombat hoarders repel all borders
Underground they make no sound
But in the open air they let you know they’re there
Take care nose hair.
Wombats move slowly, they never strain
They gather all they need and never complain.
Don’t work to hard, that’s a fool’s game
Take life so easy, always breezy
Then we’ll make Australia great again.
Wombats live underground
We know that they don’t give a damn
What we are up to up here.
Ya rab al salaam/
Shalom Aleichem
(O Lord of Peace /
Peace be upon you)
Lamentation (Hebrew)
Peace be to you, O ministering angels,
messengers of the Most High, Majesty of majesties,
Holy One of Blessing.
Enter in peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
Bless me with peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
Depart in peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
— Translation: Judy Campbell
O Lord of peace, shower us with peace;
O Lord of peace, fill our hearts with peace.
— Translation: Ayse Goknur Shanal
Lamentation (Hebrew & Greek)
Performance program lists
Works in alphabetical order
CORO AUSTRAL
Balada de la Luna, Luna
— Modesta Bor
Lyrics – Federico García Lorca
Dos Canciones Sefardíes
• Malato esta el hijo del rey
• El Rey que muncho madruga
— Joaquín Rodrigo
Los cien enamorados
— David Basden
Lyrics – Federico García Lorca
Ya rab al salaam/
Shalom Aleichem
— Paul Stanhope
Lyrics – Trad. Arabic/Hebrew
Arroyos de la Alhambra
I. Evocación
II. Tonadilla
— Agustín Barrios
CORO AUSTRAL & JOSÉ LUIS MORILLAS
Romancero Gitano
I. Baladilla de los tres rios
II. La guitarra
III. Puñal
IV. Procesion
V. Memento
VI. Baile
VII. Crótalo
— Mario Castelnuovo-Tedesco
Lyrics – Federico García Lorca
Works in alphabetical order
CORO AUSTRAL
Balada de la Luna, Luna
(Ballad of the Moon, Moon)
The moon came to the forge
wearing a bustle of nards (aromatic flower).
The boy looks and looks.
The boy is looking hard.
The rider was drawing closer
beating the drum of the plain.
In the forge the child
has his eyes shut tight.
Bronze and dream, the gypsies
cross the olive grove.
Their heads held high,
their eyes half open.
In the forge the gypsies
Wept and cried aloud
The wind is watching, watching.
The wind watched all night long.
— Excerpt Romance de la luna, luna,
Translated by Will Kirkland & Christopher Maurer
Adapted by Margot McLaughlin
Ave Maria
(Hail Mary)
Hail Mary, full of grace, the Lord is with thee.
Blessed art thou among women,
and blessed is the fruit of thy womb,
Jesus. Holy Mary, Mother of God,
pray for us sinners, now
and at the hour of our death.
Amen.
Balada de la Luna, Luna
(Ballad of the Moon, Moon)
The moon came to the forge
wearing a bustle of nards (aromatic flower).
The boy looks and looks.
The boy is looking hard.
The rider was drawing closer
beating the drum of the plain.
In the forge the child
has his eyes shut tight.
Bronze and dream, the gypsies
cross the olive grove.
Their heads held high,
their eyes half open.
In the forge the gypsies
Wept and cried aloud
The wind is watching, watching.
The wind watched all night long.
— Excerpt Romance de la luna, luna, Translated by Will Kirkland & Christopher Maurer Adapted by Margot McLaughlin
Los cien enamorados
(De Profundis)
The one hundred lovers
sleep forever
under the dry earth.
Andalucía has
long red roads.
Córdoba, green olive trees
where a hundred crosses
will help remember them.
The one hundred lovers
sleep forever.
— Translation – Robert Nasatir
Ya rab al salaam/
Shalom Aleichem
(O Lord of Peace /
Peace be upon you)
Lamentation (Hebrew)
Peace be to you, O ministering angels,
messengers of the Most High, Majesty of majesties,
Holy One of Blessing.
Enter in peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
Bless me with peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
Depart in peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
— Translation: Judy Campbell
O Lord of peace, shower us with peace;
O Lord of peace, fill our hearts with peace.
— Translation: Ayse Goknur Shanal
Lamentation (Hebrew & Greek)
Romancero Gitano
I. Baladilla de los tres rios
(Little Ballad of the Three Rivers)
The river Guadalquivir flows between
orange and olive trees.
The two rivers of Granada descend
from the snow to the wheat.
Oh my love! Who went and never returned!
The river Guadalquivir has beards of maroon.
The two rivers of Granada,
one a cry, the other blood.
Oh my love! Who vanished into thin air!
For the sailboats Sevilla has a course;
Through the water of Granada only sighs are rowing.
Oh my love! Who went and never returned!
Guadalquivir, high tower and the wind in the orange groves.
Dauro and Genil, little towers dead on the ponds.
Oh my love! Who vanished into thin air!
Who will say that the water bears a vain fire of screams!
Oh my love! Who went and never returned!
Carry orange blossom, carry olives, Andalucia, to your seas.
Oh my love! Who vanished into thin air!
II. La guitarra
(The Guitar)
The weeping of the guitar begins.
The goblets of dawn are smashed.
The weeping of the guitar begins.
Useless to silence it.
Impossible to silence it.
It weeps monotonously as water weeps
As the wind weeps over the snowfields.
Useless to silence it.
Impossible to silence it.
It weeps for distant things.
Hot southern sands yearning for white camellias.
Weeps arrow without target,
evening without morning,
And the first dead bird on the branch.
Oh, guitar!
Heart mortally wounded by five swords.
III. Puñal
(Dagger)
The dagger goes into the heart
Like the blade of a plough into barren land.
No. Don’t run it through me. No.
The dagger like a ray of sun,
Sets fire to terrible depths.
No. Don’t run it through me. No.
IV. Procesión
(Procession)
Along the street come strange unicorns.
From what field, what mythical grove?
Close up, resembling astronomers,
Fantastic Merlins and the Ecce Homo (the condemned Christ),
Enchanted Durandarte (a fallen knight),
Orlando Furioso (a tragic, chivalrous knight).
Virgin with glittering crinoline skirts,
virgin of solitude,
Opening like an immense tulip.
In your boat of lights you sail
with the high tide of the city,
among gypsy songs and crystal stars.
Virgin with glittering crinoline skirts, virgin of solitude,
you float down the river of the street – to the sea!
The swarthy Christ transforms
from the lily of Judea to the carnation of Spain.
Look where he’s coming from!
Look where he’s going!
From Spain, the sky clean and dark,
the earth scorched, and ditches
where water runs very slowly.
Swarthy Christ passes, his locks of hair burned,
his cheekbones protruding and his pupils white.
Look where he’s coming from!
Look where he’s going!
V. Memento
When I die, bury me with my guitar under the sand.
When I die, bury me among the oranges and peppermint.
When I die, bury me, if you wish, in a weathervane.
When I die!
VI. Baile
(Dance)
Carmen is dancing through the streets of Seville.
White is her hair and her eyes are shining.
Girls, draw the curtains!
Around her head a yellow serpent coils,
And as she dances she dreams
of swains from days gone by.
Girls, draw the curtains!
The streets are empty and
in the deep recesses can be glimpsed
Andalusian hearts searching for old thorns.
Girls, draw the curtains!
VII. Crótalo
(Castanet)
Castanet. Castanet. Castanet. Sonorous scarab.
In the spider of the hand you ripple the warm air,
And drown in your wooden trill. Castanet.
Castanet. Castanet. Sonorous scarab.
Performance program lists
Works in alphabetical order
CORO AUSTRAL
Águas de março
— Antônio Carlos Jobím
Arranger – Joaquín Dávila
Besame Mucho
— Consuelito Velásquez
Arranger – José Galván
Wollemi Pine
— Sonia Bennett
Arranger – Tom Bridges
Lyrics – Denis Kevans & Sonia Bennett
Wombats
— Rod Lander
Lyrics – Rod Lander
CORO DE CÓMPETA
TBA
CORO ROCIERO ALMIJARA
TBA
Sung Jointly with CORO DE CÓMPETA
Cantique de Jean Racine
— Gabriél Fauré
Dulce embeleso
— Miguel Matamoros
Arranger – Electo Silva
O Love
— Elaine Hagenberg
Lyrics – George Matheson
The Way Old Friends Do
— Benny Andersson & Bjorn Ulvaeus
Arranger – Alma Mary McFarland
Works in alphabetical order
CORO AUSTRAL
Águas de março
(Waters of March)
It’s stick, it’s stone, it’s the end of the road
It’s a bit of stump, it’s a little alone
It’s a shard of glass, it’s life, it’s the Sun
It’s the night, it’s the death, it’s the noose, it’s the hooked-Moon
It’s smart big field, it’s the knot who started the wood
Dirty, fire lit mood, it’s the Matinta Pereira
It’s windblown wood, tumbling down the trail
It’s a deep mystery, whether you wish or wail
It’s the wind winding, it’s the end of the stair
It’s the beam, it’s the span, feast at rooftop’s fair
It’s the rain raining, it’s the riverbank’s chatter
Of the march’s waters, it’s the end of the matter
It’s the foot, it’s the ground, it’s my steady pace
Birdie in the hand, sling’s resting place
It’s a flier in the sky, it’s a flier on the ground
It’s a brook, it’s a spring, it’s a piece of bread found
It’s the bottom of the well, it’s the end of the road
On the face, the disgrace, it’s a little alone
It’s a streak, it’s a nail, it’s a tip, it’s a spot
It’s a drop dropping, it’s a bill, it’s a plot
It’s a fish, it’s a gesture, it’s silver gleaming so bright
It’s the morning light, it’s the brick coming into sight
It’s the firewood, it’s the day, it’s the end of the line
It’s the jug of cane, the shard on the incline
It’s the house project, it’s the body in bed
It’s the stalled car, it’s the mud, it’s the mud
It’s a step, it’s a bridge, it’s a toad, it’s a frog
It’s a patch of brush, in the morning’s soft fog
It’s the March waters closing out the summer’s span
It’s the promise of life in your heart’s plan
It’s a snake, it’s a stick, it’s John, it’s Joseph
It’s a thorn in the hand, it’s a cut’s cleft
It’s the March waters …..
It’s stick, it’s stone, it’s the end of the road
It’s a bit of stump, it’s a little alone
It’s a step, it’s a bridge, it’s a toad, it’s a frog
It’s a beautiful horizon, it’s a feverish slog
It’s the March waters …..
Pau, edra, im, inho, esto, oco, ouco, inho, aco
Idro, ida, ol, oite, orte, aço, zol
It’s the March waters …..
Besame Mucho
(Kiss Me With Passion)
Kiss me now, kiss me with passion
kiss me as if this were to be our very last night.
Kiss me now, kiss me with passion
Fearing tomorrow I’ll lose you past dawn’s early light.
I want to hold you so closely,
look into your eyes to find
you mirroring me.
I’m sure dawn will find me lonely
cast away so far behind
where you then will be.
Kiss me now, kiss me with passion
kiss me as if this were to be our very last night.
Kiss me now, kiss me with passion
Fearing tomorrow I’ll lose you past dawn’s early light.
The Wollemi Pine
There’s a tree that’s so rare
Grows deep in the gorges out there
Deep in my heart I will sing of the Wollemi pine.
No preaching words, no angry tones,
The Wollemi stands all alone
One hundred million years of passing time.
Oh Wollemi, Wollemi, Wollemi
Look around you
Keep your eyes open,
or look about you
The trees in the Wollemi band
Come from Gondwana Land
Where the orphan lands of the south were all in one.
She’s the mother of my song:
Gondwana you are strong
Here before the dreaming of the dream had yet begun.
Oh Wollemi, Wollemi, Wollemi …
The only clue to your tale
Were some leaf prints in the shale
And we thought you’d come and gone long years ago.
Suddenly what do I see?
But a living tree,
Where the mountain waters pure and sweet do flow.
Oh Wollemi, Wollemi, Wollemi
Wombats
Wombats live underground.
We walk above and never find out
What they are up to down there.
Wombats can’t see very well
But they’re not going anywhere
Night and day they mostly stay inside their lair.
Wombat hoarders repel all borders
Underground they make no sound
But in the open air they let you know they’re there
Take care nose hair.
Wombats move slowly, they never strain
They gather all they need and never complain.
Don’t work to hard, that’s a fool’s game
Take life so easy, always breezy
Then we’ll make Australia great again.
Wombats live underground
We know that they don’t give a damn
What we are up to up here.
The Way Old Friends Do
You and I can share the silence,
Finding comfort together the way old friends do.
And after fights and words of violence,
We make up with each other the way old friends do.
Times of joy and times of sorrow.
We will always see it through
And I don’t care what comes tomorrow.
We can face it together the way old friends do.
Performance program lists
Works in alphabetical order
Águas de março
— Antônio Carlos Jobím
Arranger – Joaquín Dávila
Ave Maria
— Javier Busto
Balada de la Luna, Luna
— Modesta Bor
Lyrics – Federico García Lorca
Besame Mucho
— Consuelito Velásquez
Arranger – José Galván
Dos Canciones Sefardíes
• Malato esta el hijo del rey
• El Rey que muncho madruga
— Joaquín Rodrigo
Dulce embeleso
— Miguel Matamoros
Arranger – Electo Silva
El cant dels ocells
— Trad. Catalán
Arrangers – Josep Ollé I Sabaté
Jubilate Deo
— Joseph Twist
Los cien enamorados
— David Basden
Lyrics – Federico García Lorca
Pater Noster
— David Basden
The Way Old Friends Do
— Benny Andersson & Bjorn Ulvaeus
Arranger – Alma Mary McFarland
Versa Est in Luctum
— Tomas Luis de Victoria
Wollemi Pine
— Sonia Bennett
Arranger – Tom Bridges
Lyrics – Denis Kevans & Sonia Bennett
Wombats
— Rod Lander
Lyrics – Rod Lander
Ya rab al salaam/
Shalom Aleichem
— Paul Stanhope
Lyrics – Trad. Arabic/Hebrew
Works in alphabetical order
CORO AUSTRAL
Águas de março
(Waters of March)
It’s stick, it’s stone, it’s the end of the road
It’s a bit of stump, it’s a little alone
It’s a shard of glass, it’s life, it’s the Sun
It’s the night, it’s the death, it’s the noose, it’s the hooked-Moon
It’s smart big field, it’s the knot who started the wood
Dirty, fire lit mood, it’s the Matinta Pereira
It’s windblown wood, tumbling down the trail
It’s a deep mystery, whether you wish or wail
It’s the wind winding, it’s the end of the stair
It’s the beam, it’s the span, feast at rooftop’s fair
It’s the rain raining, it’s the riverbank’s chatter
Of the march’s waters, it’s the end of the matter
It’s the foot, it’s the ground, it’s my steady pace
Birdie in the hand, sling’s resting place
It’s a flier in the sky, it’s a flier on the ground
It’s a brook, it’s a spring, it’s a piece of bread found
It’s the bottom of the well, it’s the end of the road
On the face, the disgrace, it’s a little alone
It’s a streak, it’s a nail, it’s a tip, it’s a spot
It’s a drop dropping, it’s a bill, it’s a plot
It’s a fish, it’s a gesture, it’s silver gleaming so bright
It’s the morning light, it’s the brick coming into sight
It’s the firewood, it’s the day, it’s the end of the line
It’s the jug of cane, the shard on the incline
It’s the house project, it’s the body in bed
It’s the stalled car, it’s the mud, it’s the mud
It’s a step, it’s a bridge, it’s a toad, it’s a frog
It’s a patch of brush, in the morning’s soft fog
It’s the March waters closing out the summer’s span
It’s the promise of life in your heart’s plan
It’s a snake, it’s a stick, it’s John, it’s Joseph
It’s a thorn in the hand, it’s a cut’s cleft
It’s the March waters …..
It’s stick, it’s stone, it’s the end of the road
It’s a bit of stump, it’s a little alone
It’s a step, it’s a bridge, it’s a toad, it’s a frog
It’s a beautiful horizon, it’s a feverish slog
It’s the March waters …..
Pau, edra, im, inho, esto, oco, ouco, inho, aco
Idro, ida, ol, oite, orte, aço, zol
It’s the March waters …..
Ave Maria
(Hail Mary)
Hail Mary, full of grace, the Lord is with thee.
Blessed art thou among women,
and blessed is the fruit of thy womb,
Jesus. Holy Mary, Mother of God,
pray for us sinners, now
and at the hour of our death.
Amen.
Balada de la Luna, Luna
(Ballad of the Moon, Moon)
The moon came to the forge
wearing a bustle of nards (aromatic flower).
The boy looks and looks.
The boy is looking hard.
The rider was drawing closer
beating the drum of the plain.
In the forge the child
has his eyes shut tight.
Bronze and dream, the gypsies
cross the olive grove.
Their heads held high,
their eyes half open.
In the forge the gypsies
Wept and cried aloud
The wind is watching, watching.
The wind watched all night long.
— Excerpt Romance de la luna, luna, Translated by Will Kirkland & Christopher Maurer Adapted by Margot McLaughlin
Besame Mucho
(Kiss Me With Passion)
Kiss me now, kiss me with passion
kiss me as if this were to be our very last night.
Kiss me now, kiss me with passion
Fearing tomorrow I’ll lose you past dawn’s early light.
I want to hold you so closely,
look into your eyes to find
you mirroring me.
I’m sure dawn will find me lonely
cast away so far behind
where you then will be.
Kiss me now, kiss me with passion
kiss me as if this were to be our very last night.
Kiss me now, kiss me with passion
Fearing tomorrow I’ll lose you past dawn’s early light.
Dulce embeleso
(Sweet Fascination/Enchantment)
The kiss from your tempting mouth
That you gave me, drunk with illusion,
I keep it like an inspiring flame
In the depths of my poor heart.
It seems as though I still feel that same kiss
Echoing in my moments of reverie,
And the memory of that sweet enchantment
Today fills my life with regret.
El cant dels ocells
(Song of the Birds)
Seeing the rise of the brightest light,
in the most elated night:
The birds, singing, go to celebrate,
with delicate voices.
The linnet was singing: Oh! How beautiful
and lovely is the child of Mary!
And the merry thrush replies:
Death is defeated; my life is born.
Jubilate Deo
(Rejoice in the Lord)
Rejoice in the Lord, all the earth;
Serve the Lord with gladness.
Come into his presence
With rejoicing,
for the Lord himself is God.
Los cien enamorados
(De Profundis)
The one hundred lovers
sleep forever
under the dry earth.
Andalucía has
long red roads.
Córdoba, green olive trees
where a hundred crosses
will help remember them.
The one hundred lovers
sleep forever.
— Translation – Robert Nasatir
Pater Noster
(Our Father)
Our Father, who art in heaven,
hallowed be Thy name.
Thy kingdom come.
Thy will be done, on earth as it is in heaven.
Give us this day our daily bread,
and forgive us our trespasses,
as we forgive those who trespass against us.
And lead us not into temptation,
but deliver us from evil.
For yours is the kingdom, and the power
and the glory, for ever.
Amen.
The Way Old Friends Do
You and I can share the silence,
Finding comfort together the way old friends do.
And after fights and words of violence,
We make up with each other the way old friends do.
Times of joy and times of sorrow.
We will always see it through
And I don’t care what comes tomorrow.
We can face it together the way old friends do.
Versa Est in Luctum
(My harp is tuned to grieving)
My harp is tuned to grieving
and my flute to the voice of those who weep.
Spare me, O Lord,
for my days are as nothing.
— Job 30:31, 7:16
The Wollemi Pine
There’s a tree that’s so rare
Grows deep in the gorges out there
Deep in my heart I will sing of the Wollemi pine.
No preaching words, no angry tones,
The Wollemi stands all alone
One hundred million years of passing time.
Oh Wollemi, Wollemi, Wollemi
Look around you
Keep your eyes open,
or look about you
The trees in the Wollemi band
Come from Gondwana Land
Where the orphan lands of the south were all in one.
She’s the mother of my song:
Gondwana you are strong
Here before the dreaming of the dream had yet begun.
Oh Wollemi, Wollemi, Wollemi …
The only clue to your tale
Were some leaf prints in the shale
And we thought you’d come and gone long years ago.
Suddenly what do I see?
But a living tree,
Where the mountain waters pure and sweet do flow.
Oh Wollemi, Wollemi, Wollemi
Wombats
Wombats live underground.
We walk above and never find out
What they are up to down there.
Wombats can’t see very well
But they’re not going anywhere
Night and day they mostly stay inside their lair.
Wombat hoarders repel all borders
Underground they make no sound
But in the open air they let you know they’re there
Take care nose hair.
Wombats move slowly, they never strain
They gather all they need and never complain.
Don’t work to hard, that’s a fool’s game
Take life so easy, always breezy
Then we’ll make Australia great again.
Wombats live underground
We know that they don’t give a damn
What we are up to up here.
Ya rab al salaam/
Shalom Aleichem
(O Lord of Peace /
Peace be upon you)
Lamentation (Hebrew)
Peace be to you, O ministering angels,
messengers of the Most High, Majesty of majesties,
Holy One of Blessing.
Enter in peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
Bless me with peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
Depart in peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
— Translation: Judy Campbell
O Lord of peace, shower us with peace;
O Lord of peace, fill our hearts with peace.
— Translation: Ayse Goknur Shanal
Lamentation (Hebrew & Greek)
Performance program lists
Works in alphabetical order
Ave Maria
— Javier Busto
Pater Noster
— David Basden
Versa Est in Luctum
— Tomas Luis de Victoria
Works in alphabetical order
CORO AUSTRAL
Ave Maria
(Hail Mary)
Hail Mary, full of grace, the Lord is with thee.
Blessed art thou among women,
and blessed is the fruit of thy womb,
Jesus. Holy Mary, Mother of God,
pray for us sinners, now
and at the hour of our death.
Amen.
Pater Noster
(Our Father)
Our Father, who art in heaven,
hallowed be Thy name.
Thy kingdom come.
Thy will be done, on earth as it is in heaven.
Give us this day our daily bread,
and forgive us our trespasses,
as we forgive those who trespass against us.
And lead us not into temptation,
but deliver us from evil.
For yours is the kingdom, and the power
and the glory, for ever.
Amen.
Versa Est in Luctum
(My harp is tuned to grieving)
My harp is tuned to grieving
and my flute to the voice of those who weep.
Spare me, O Lord,
for my days are as nothing.
— Job 30:31, 7:16
Performance program lists
Works in alphabetical order
CORO AUSTRAL
Águas de março
— Antônio Carlos Jobím
Arranger – Joaquín Dávila
Besame Mucho
— Consuelito Velásquez
Arranger – José Galván
Dos Canciones Sefardíes
• Malato esta el hijo del rey
• El Rey que muncho madruga
— Joaquín Rodrigo
Dulce embeleso
— Miguel Matamoros
Arranger – Electo Silva
Jubilate Deo
— Joseph Twist
Wollemi Pine
— Sonia Bennett
Arranger – Tom Bridges
Lyrics – Denis Kevans & Sonia Bennett
Wombats
— Rod Lander
Lyrics – Rod Lander
Ya rab al salaam/
Shalom Aleichem
— Paul Stanhope
Lyrics – Trad. Arabic/Hebrew
PAX COR DE CAMBRA
TBA
OF CHORUS, STOCKHOLM
TBA
PAX COR DE CAMBRA, OF CHORUS & CORO AUSTRAL
Balada de la Luna, Luna
— Modesta Bor
Lyrics – Federico García Lorca
El Ball de Sant Ferriol
— Trad. Catalán
Arranger – Bernado Latini
El cant dels ocells
— Trad. Catalán
Arranger – Josep Ollé I Sabaté
Los cien enamorados
— David Basden
Lyrics – Federico García Lorca
Peace
— Martin Åsander
Tjuv och tjuv
— Hugo Alfvén
Works in alphabetical order
CORO AUSTRAL
Águas de março
(Waters of March)
It’s stick, it’s stone, it’s the end of the road
It’s a bit of stump, it’s a little alone
It’s a shard of glass, it’s life, it’s the Sun
It’s the night, it’s the death, it’s the noose, it’s the hooked-Moon
It’s smart big field, it’s the knot who started the wood
Dirty, fire lit mood, it’s the Matinta Pereira
It’s windblown wood, tumbling down the trail
It’s a deep mystery, whether you wish or wail
It’s the wind winding, it’s the end of the stair
It’s the beam, it’s the span, feast at rooftop’s fair
It’s the rain raining, it’s the riverbank’s chatter
Of the march’s waters, it’s the end of the matter
It’s the foot, it’s the ground, it’s my steady pace
Birdie in the hand, sling’s resting place
It’s a flier in the sky, it’s a flier on the ground
It’s a brook, it’s a spring, it’s a piece of bread found
It’s the bottom of the well, it’s the end of the road
On the face, the disgrace, it’s a little alone
It’s a streak, it’s a nail, it’s a tip, it’s a spot
It’s a drop dropping, it’s a bill, it’s a plot
It’s a fish, it’s a gesture, it’s silver gleaming so bright
It’s the morning light, it’s the brick coming into sight
It’s the firewood, it’s the day, it’s the end of the line
It’s the jug of cane, the shard on the incline
It’s the house project, it’s the body in bed
It’s the stalled car, it’s the mud, it’s the mud
It’s a step, it’s a bridge, it’s a toad, it’s a frog
It’s a patch of brush, in the morning’s soft fog
It’s the March waters closing out the summer’s span
It’s the promise of life in your heart’s plan
It’s a snake, it’s a stick, it’s John, it’s Joseph
It’s a thorn in the hand, it’s a cut’s cleft
It’s the March waters …..
It’s stick, it’s stone, it’s the end of the road
It’s a bit of stump, it’s a little alone
It’s a step, it’s a bridge, it’s a toad, it’s a frog
It’s a beautiful horizon, it’s a feverish slog
It’s the March waters …..
Pau, edra, im, inho, esto, oco, ouco, inho, aco
Idro, ida, ol, oite, orte, aço, zol
It’s the March waters …..
Besame Mucho
(Kiss Me With Passion)
Kiss me now, kiss me with passion
kiss me as if this were to be our very last night.
Kiss me now, kiss me with passion
Fearing tomorrow I’ll lose you past dawn’s early light.
I want to hold you so closely,
look into your eyes to find
you mirroring me.
I’m sure dawn will find me lonely
cast away so far behind
where you then will be.
Kiss me now, kiss me with passion
kiss me as if this were to be our very last night.
Kiss me now, kiss me with passion
Fearing tomorrow I’ll lose you past dawn’s early light.
Dulce embeleso
(Sweet Fascination/Enchantment)
The kiss from your tempting mouth
That you gave me, drunk with illusion,
I keep it like an inspiring flame
In the depths of my poor heart.
It seems as though I still feel that same kiss
Echoing in my moments of reverie,
And the memory of that sweet enchantment
Today fills my life with regret.
Jubilate Deo
(Rejoice in the Lord)
Rejoice in the Lord, all the earth;
Serve the Lord with gladness.
Come into his presence
With rejoicing,
for the Lord himself is God.
The Wollemi Pine
There’s a tree that’s so rare
Grows deep in the gorges out there
Deep in my heart I will sing of the Wollemi pine.
No preaching words, no angry tones,
The Wollemi stands all alone
One hundred million years of passing time.
Oh Wollemi, Wollemi, Wollemi
Look around you
Keep your eyes open,
or look about you
The trees in the Wollemi band
Come from Gondwana Land
Where the orphan lands of the south were all in one.
She’s the mother of my song:
Gondwana you are strong
Here before the dreaming of the dream had yet begun.
Oh Wollemi, Wollemi, Wollemi …
The only clue to your tale
Were some leaf prints in the shale
And we thought you’d come and gone long years ago.
Suddenly what do I see?
But a living tree,
Where the mountain waters pure and sweet do flow.
Oh Wollemi, Wollemi, Wollemi
Wombats
Wombats live underground.
We walk above and never find out
What they are up to down there.
Wombats can’t see very well
But they’re not going anywhere
Night and day they mostly stay inside their lair.
Wombat hoarders repel all borders
Underground they make no sound
But in the open air they let you know they’re there
Take care nose hair.
Wombats move slowly, they never strain
They gather all they need and never complain.
Don’t work to hard, that’s a fool’s game
Take life so easy, always breezy
Then we’ll make Australia great again.
Wombats live underground
We know that they don’t give a damn
What we are up to up here.
Ya rab al salaam/
Shalom Aleichem
(O Lord of Peace /
Peace be upon you)
Lamentation (Hebrew)
Peace be to you, O ministering angels,
messengers of the Most High, Majesty of majesties,
Holy One of Blessing.
Enter in peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
Bless me with peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
Depart in peace, O messengers of peace,
angels of the Most High, Majesty of majesties,
Holy One of Blessing.
— Translation: Judy Campbell
O Lord of peace, shower us with peace;
O Lord of peace, fill our hearts with peace.
— Translation: Ayse Goknur Shanal
Lamentation (Hebrew & Greek)
Ave Maria
(Hail Mary)
Hail Mary, full of grace, the Lord is with thee.
Blessed art thou among women,
and blessed is the fruit of thy womb,
Jesus. Holy Mary, Mother of God,
pray for us sinners, now
and at the hour of our death.
Amen.
Balada de la Luna, Luna
(Ballad of the Moon, Moon)
The moon came to the forge
wearing a bustle of nards (aromatic flower).
The boy looks and looks.
The boy is looking hard.
The rider was drawing closer
beating the drum of the plain.
In the forge the child
has his eyes shut tight.
Bronze and dream, the gypsies
cross the olive grove.
Their heads held high,
their eyes half open.
In the forge the gypsies
Wept and cried aloud
The wind is watching, watching.
The wind watched all night long.
— Excerpt Romance de la luna, luna, Translated by Will Kirkland & Christopher Maurer Adapted by Margot McLaughlin
El cant dels ocells
(Song of the Birds)
Seeing the rise of the brightest light,
in the most elated night:
The birds, singing, go to celebrate,
with delicate voices.
The linnet was singing: Oh!
How beautiful and lovely is the child of Mary!
And the merry thrush replies:
Death is defeated; my life is born.
Los cien enamorados
(De Profundis)
The one hundred lovers
sleep forever
under the dry earth.
Andalucía has
long red roads.
Córdoba, green olive trees
where a hundred crosses
will help remember them.
The one hundred lovers
sleep forever.
— Translation – Robert Nasatir
Tjuv och tjuv
You’re a big ol’ thieving rascal,
for you stole my darling dear.
No revenge could be more sweet, as
no doubt, she’ll come back again.
No doubt, fa la la …
Coro Austral is Sydney’s premier specialist chamber choir dedicated to Iberian and Latin American choral music, founded in 2010 by Artistic Director Margot McLaughlin. As an auditioned ensemble, the choir brings together experienced choristers to explore and perform a rich repertoire spanning the 13th to 21st centuries from Spanish and Portuguese-speaking countries, alongside select works from other global traditions. Committed to introducing lesser-known gems to Australian audiences, Coro Austral has earned acclaim for its innovative programming and cultural depth.
Under Margot McLaughlin’s visionary leadership, the choir has achieved notable milestones, including the first Australian performance of Martín Palmeri’s Misa Tango in April 2022 and a highly praised tour to Cuba in November/December 2017. Collaborations with esteemed organizations such as Instituto Cervantes and support from Inner West Council have further elevated their performances, blending traditional choral excellence with authentic Latin American instruments and influences.
Coro Austral rehearses weekly in Balmain and welcomes new members through auditions, offering opportunities for permanent or casual participation, cultural immersion, and international tours—such as the upcoming journey to Portugal and Spain in October 2026. The choir also hosts engaging “Come and Sing!” events, inviting enthusiasts to join in iconic works like Ariel Ramirez’s Misa Criolla and Navidad Nuestra without auditions.
With a passion for bridging cultures through song, Coro Austral continues to captivate audiences, fostering a vibrant community of music lovers in Sydney and beyond.
At our recent concert in Sydney, we ‘launched’ our new-look scarves. The design is Ngabaan by Amy Kilby, a proud Wiradjuri woman from the Riverina district of New South Wales, Australia. Her designs are available through Yarn, a company that collaborates with authentic Australian First Nations artists to create beautiful clothing, homewares and accessories.
Ngabaan
Amy says: “Ngabaan is a tribute to all aunts, celebrating the pivotal role they play in our upbringing. It honors their invaluable contributions as mentors and guides, recognising the love, wisdom, and support they provide throughout our lives. This piece reflects the special bond we share with our aunts, acknowledging their vital presence in shaping who we are and nurturing our growth with care and dedication.”
Margot McLaughlin has over 40 years’ experience as a singer and conductor. She studied Music, Education and Languages at the NSW Conservatorium of Music and Sydney University, and Psychology and Spanish at Macquarie University.
One of Sydney’s most respected choral conductors, Margot directed Macquarie University Singers from 1987 to 2008, and has worked with Sydney Philharmonia, Bel a cappella, the Australian Philharmonic Orchestra, Ku-ring-gai Philharmonic Orchestra and Willoughby Symphony Choir. Currently she is Musical Director of the seniors’ choir Beating Time, and is Founding Artistic Director of Coro Austral. She also works as a Freelance conductor and singer.
Margot is constantly seeking and discovering new insights into Iberian and Latin American music.
Gill Haslehust-Smith
Margaret Grove *
Lorraine Minton *+
Sarona Perez
Marilyn Schock #
Fiona Caldarevic *+
Judy Campbell #+
Sally Glass
Pauline Howie
Linda Mann
Gary Brewer *
Darrall Cutting
Ella de Rooy
David Goodwin
Sam Huynh
Rod Lander +
* Soloists
# Percussion
+ Assistant Conductors
CORO AUSTRAL COMMITTEE
Margot McLaughlin, Artistic Director
David Goodwin, Administrator
Marg Grove, Treasurer
Gary Brewer
Gill Haslehust-Smith
José Luis Morillas Arques es un guitarrista clásico de proyección internacional cuya virtuosidad ha resonado en las tablas de más de quince de los recintos más relevantes de Asia, en salas de gran prestigio en Europa y América, y en la Ópera de El Cairo junto a la Orquesta Sinfónica de la capital egipcia. Aclamado por la crítica especializada como «uno de los mejores guitarristas de nuestro tiempo», el virtuoso español atesora seis premios en concursos nacionales y nueve en certámenes internacionales. Actúa con frecuencia como solista invitado junto a agrupaciones de primer orden —como la Orquesta Ciudad de Granada, la Philharmonia Orchestra y la Orquesta Joven de Andalucía—, colaborando con batutas de prestigio mundial de la talla de Enrique García Asensio, Ahmed El Saedi o Michael Thomas.
La formación académica de Morillas destaca por su rigurosa excelencia: tras graduarse con honores cum laude en el Real Conservatorio Superior de Música «Victoria Eugenia» de Granada, perfeccionó sus estudios en Alemania con maestros legendarios de la guitarra como Ricardo Gallén en la Hochschule für Musik Franz Liszt de Weimar y Joaquín Clerch en Düsseldorf. Su linaje artístico se nutre asimismo de la tutela directa de figuras míticas como Pepe Romero y David Russell. Conjugando de forma singular arte y ciencia, Morillas es también licenciado en Odontología por la Universidad de Granada, disciplina desde la que integra la biofuncionalidad médica en su investigación musical avanzada y en su pedagogía de la interpretación.
En la actualidad, es catedrático de Guitarra por oposición en el RCSM Victoria Eugenia de Granada, labor que compagina con su habitual participación como jurado en concursos internacionales y la impartición de másteres de perfeccionamiento en todo el mundo. Firme defensor del repertorio español contemporáneo, ha protagonizado estrenos absolutos de gran calado, como el Concierto para guitarra de J. M. Hidalgo, y ha interpretado una histórica versión a dúo del Concierto de Aranjuez junto al icono del flamenco Tomatito. Su álbum de debut para el sello Ibs Classical fue galardonado con la prestigiosa distinción «Melómano de Oro», consolidando su estatus como uno de los guitarristas españoles de referencia de su generación.
https://www.joseluismorillas.com/